Horns


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The Art of French Horn Playing


The Art of French Horn Playing

Author: Philip Farkas

language: en

Publisher: Alfred Music

Release Date: 1999-10-19


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First to be published in the series was The Art of French Horn Playing by Philip Farkas, now Distinguished Professor Emeritus of Music at Indiana University. In 1956, when Summy-Birchard published Farkas's book, he was a solo horn player for the Chicago Symphony and had held similar positions with other orchestras, including the Boston Symphony, Cleveland Orchestra, and Kansas City Conservatory, DePaul University, Northwestern University, and Roosevelt University in Chicago. The Art of French Horn Playing set the pattern, and other books in the series soon followed, offering help to students in learning to master their instruments and achieve their goals.

Catalogue of the collection of animal products, South Kensington Museum. [By P. L. Simmonds.] Second edition


Catalogue of the collection of animal products, South Kensington Museum. [By P. L. Simmonds.] Second edition

Author: Victoria and Albert Museum

language: en

Publisher:

Release Date: 1860


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A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature


A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature

Author: Gordon Williams

language: en

Publisher: A&C Black

Release Date: 2001-09-13


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Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.