Art
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Notes on Participatory Art
We are living in the Age of Participation. Social media are exploding, customer cooperation is sought in product development, and customer content is even built into media. But where is the art reflecting our times? Where are the artists making this kind of art? Who were their predecessors? In this book the author traces the roots of Participatory Art from Duchamp, Mondrian and Moholy-Nagy via less well known artists like Lygia Clark and Charlotte Posenenske as well as via better known artists like Joseph Beuys and yvind Fahlstrm to contemporary artists showing an interest in participation like Olafur Eliasson and Antony Gormley. Participation is the most important thing that has happened in art Gormley said in 2009. What, then, is Participatory Art? After around 40 years of practice the author tries to distill the essential principles in 10 suggestions for a Manifesto. Most central is its focus on the unfolding creative moment itself and on the creativity of the spectator.
Siapa Nama Kamu? Art in Singapore Since the 19th Century
Author: Low Sze Wee
language: en
Publisher: National Gallery Singapore
Release Date: 2015-11-25
Published to accompany National Gallery Singapore’s inaugural exhibition Siapa Nama Kamu?, the catalogue stands on the shoulders of giants to present a survey of Singapore art from the 19th century to the present, charting major themes across broad time periods. Over 400 works of art in a wide range of media are brought together to trace the ebb and flow of the history of Singapore art. Curatorial essays provide insight into the exhibition making, as well as examine the geographical confines of Singapore, the parameters of national identity and margins of time.
European Union Law
Author: Damian Chalmers
language: en
Publisher: Cambridge University Press
Release Date: 2010-06-24
This eagerly awaited new edition has been significantly revised after extensive user feedback to meet current teaching requirements. The first major textbook to be published since the rejuvenation of the Lisbon Treaty, it retains the best elements of the first edition – the engaging, easily understandable writing style, extracts from a variety of sources showing the creation, interpretation and application of the law and comprehensive coverage. In addition it has separate chapters on EU law in national courts, governance and external relations reflecting the new directions in which the field is moving. The examination of the free movement of goods and competition law has been restructured. Chapter introductions clearly set out what will be covered in each section allowing students to approach complex material with confidence and detailed further reading sections encourage further study. Put simply, it is required reading for all serious students of EU law.
