Bel Canto Technique
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Teaching the Bel Canto Technique: A Practical Guide - with Anecdotes from Africa
" Colleen Philp's practical guide to the Bel Canto technique will help singers, drama students, singing and drama teachers, choir conductors, and students who are studying methods of teaching, to learn how to use or teach the Bel Canto technique of singing and how to keep their voices safe from vocal misuse and abuse. Her Anecdotes from Africa add delightful insights into her life as a teacher of Voice in South Africa, and her warm, lasting relationships with her students. It could be placed in libraries at schools and universities all over the world because, although there are many books on Bel Canto, there are not many, if any, on HOW TO TEACH in the Bel Canto tradition. Teaching singing is difficult because one is dealing not only with the technique involved, but also with any physical impairments, as well as the psychological approach of the singer. This is the first book to contain the material in Chapters 4 to 7, which cover passagio, tips from famous singers and voice teachers, vocal abuse and misuse, and correcting vocal defects. "
Bel Canto
This guide somatically explains how to sing using fundamental 'bel canto' technique. It is unique because it explains the physical technique of 'bel canto' in plain words, rather than discussing opinions and observations, style, vocalises, history and theory. The author, Kendrick Jacocks, has used the method, which was identified as 'bel canto' by professionals in the field as he prepared for his debut performances of Verdi's "Otello' with the Donetsk State Opera in The Ukraine and on tour in Spain. His performances held interest for his unique ability to transmit real emotion through the use of timbre, intensity, and dynamics, which was enabled by three essential physical movements. The 'bel canto position' was taught to him by the successful 'bel canto' teacher and soprano Virginia Zeani. The technique was then applied by the actions he sets forth in this book, and aided by his own studies and practice. The second half of the book provides helpful remedies, suggested listening, a short explanation of the teachings of Manuel Garcia II, Enrico delle Sedie, Mathilde Marchesi, and Giovanni Sbriglia, "Constantin Stanislavsky on Singing in the Mask," quotations on the value of humming and suggestions from Zinka Milanov, Virginia Zeani, Marian Anderson, G. B. Lamperti, Jean de Reszke, and Rosa Ponselle, and a short gallery.
The Technics of Bel Canto (1905)
Author: Giovanni Battista Lamperti
language: en
Publisher: Gregory Blankenbehler
Release Date: 2009-08-29
"Die Technik des Bel Canto" (1905) -- Extended Edition.As the last of the great master-teachers of the "old Italian school" of singing, Giovanni Battista Lamperti taught his students virtuosic vocal techniques handed down from the great castrati of the 17th century: exquisitely rich chiaroscuro tone, seamless flowing legato phrasing, undetectable passaggi register transitions and the delicately poised appoggio breath technique that allowed the astonishingly rapid coloratura typical of baroque music. In the only treatise he ever wrote, Lamperti the younger shares with all students, teachers and enthusiasts of singing, the techniques and skills that made his students that greatest singers of their time: the arcane secrets of bel canto.