Film Indonesia
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A to Z about Indonesian Film
Banyak penulis film yang menulis tanpa memiliki pengetahuan tentang dunia yang ditulisnya. Mereka dapat menjadi angin yang membawa kapal penonton ke arah yang salah. Membaca buku ini, saya memiliki harapan kalau Ekky akan menjadi angin yang positif buat penonton. -Rudi Soedjarwo, Sutradara Bahasa buku ini tidak njelimet dan tidak saja mendorong kita untuk menonton film, tapi juga memberikan cara memahami film. -Deddy Mizwar, Sutradara dan Aktor Segala aspek film Indonesia terkumpul di sini. Dari dulu sampai sekarang, orang-orangnya, dan sejarahnya. Pokoknya seru! Penulisannya juga enak, kayak sedang cerita. -Wulan Guritno, Aktris Sineas-sineas muda berkarya, bintang-bintang baru bermunculan, film-film Indonesia baru terlahir dari generasinya. Tentu saja, tidak lepas dari pujian dan kritikan. Saatnya kritikus film muda hadir dengan perannya untuk memperkaya kebangkitan film Indonesia, yang akan menempatkan kembali film Indonesia di dunia industri sekaligus dunia idealisme "alam pemikiran" agar tidak terjebak dalam euforia. Maju terus perfilman Indonesia! -Artika Sari Devi, Putri Indonesia 2004 dan Pemain Film [DAR! Mizan, Anak, Film, Indonesia]
Contemporary Indonesian Film
This highly informative book explores the world of Post-Soeharto Indonesian audio-visual media in the exiting era of Reform. From a multidisciplinary approach it considers a wide variety of issues such as mainstream and alternative film practices, ceremonial and independent film festivals, film piracy, history and horror, documentary, television soaps, and Islamic films, as well as censorship from the state and street. Through the perspective of discourses on, and practices of film production, distribution, and exhibition, this book gives a detailed insight into current issues of Indonesia’s social and political situation, where Islam, secular realities, and ghosts on and off screen, mingle or clash.
Indonesian Cinema
Indonesia's quasi-military dictatorship has sought since 1965 to mould Indonesian society into a male-oriented, capitalist, Javanese-dominated national framework. Cinema and television are the most closely-controlled mass media in Indonesia, and films for mass consumption have played an important role in the government's vast socio-political engineering project.Krishna Sen describes the background and present-day Indonesian film industry and explores how the country's society and history are represented in its film culture. From a critique of four films, she concludes that Indonesian cinema privileges the military against the civilian, the middle class against the popular classes, and men against women. Backed by careful documentation from cinema literature, this is a radical, in-depth perspective on film - its implications, its vulnerability to manipulation and its artistic and propagandist value.