Janacek
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Janáček as Theorist
In addition to his activities as a composer, Leos Janácek was a prolific literary personality whose works include not only letters, feuilletons, criticisms, autobiography, ethnographic and pedagogical studies but also numerous articles dealing with music theory. They are unique documents, stimulating, diverse, exciting, and sometimes bewildering, they reflect Janácek's intense involvement with contemporary trends in philosophy, ethnography, physiology, and music theory, and his struggles in these worlds; yet they can hardly be found on a single bookshelf outside the Czech Republic (From the Introduction).
The operas of Leos Janacek
The Operas of Leoš Janácek presents the comprehensive analysis of Leoš Janácek's operas. This book presents a concise account of Janácek's extraordinary musical background and development as an operatic composer. Organized into seven chapters, this book begins with an overview of Janácek's visit to the London Zoo in 1926, which profoundly influenced his very personal compositional style when he recorded the different cries and sounds of animals in musical notation. This text then describes the nature of Janácek's last two operas, which are characterized by emotional stresses, psychological conflicts, and the turbulence of text and music. Other chapters describe pastoral symphony of the opera The Cunning Little Vixen, which is a touching and sincere tribute to the basic unity of all living creatures of nature. This book discusses as well the characteristic explosive musical prose writing of Janácek. This book is a valuable resource for musicians, instrumentalists, and composers.
Janacek and His World
Author: Michael Brim Beckerman
language: en
Publisher: Princeton University Press
Release Date: 2003
Once thought to be a provincial composer of only passing interest to eccentrics, Leos Janácek (1854-1928) is now widely acknowledged as one of the most powerful and original creative figures of his time. Banned for all purposes from the Prague stage until the age of 62, and unable to make it even out of the provincial capital of Brno, his operas are now performed in dynamic productions throughout the globe. This volume brings together some of the world's foremost Janácek scholars to look closely at a broad range of issues surrounding his life and work. Representing the latest in Janácek scholarship, the essays are accompanied by newly translated writings by the composer himself. The collection opens with an essay by Leon Botstein who clarifies and amplifies how Max Brod contributed to Janácek 's international success by serving as "point man" between Czechs and Germans, Jews and non-Jews. John Tyrrell, the dean of Janácek scholars, distills more than thirty years of research in "How Janácek Composed Operas," while Diane Paige considers Janácek's liason with a married woman and the question of the artist's muse. Geoffrey Chew places the idea of the adulterous muse in the larger context of Czech fin de siècle decadence in his thoroughgoing consideration of Janácek's problematic opera Osud. Derek Katz examines the problems encountered by Janácek's satirically patriotic "Excursions of Mr. Broucek" in the post-World War I era of Czechoslovak nationalism, while Paul Wingfield mounts a defense of Janácek against allegations of cruelty in his wife's memoirs. In the final essay, Michael Beckerman asks how much true history can be culled from one of Janácek's business cards. The book then turns to writings by Janácek previously unpublished in English. These not only include fascinating essays on Naturalism, opera direction, and Tristan and Isolde, but four impressionistic chronicles of the "speech melodies" of daily life. They provide insight into Janácek's revolutionary method of composition, and give us the closest thing we will ever have to the "heard" record of a Czech pre-war past-or any past, for that matter.
