Monteverdi
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The Letters of Claudio Monteverdi
Author: Claudio Monteverdi
language: en
Publisher: Cambridge University Press
Release Date: 1980-10-31
A comprehensive edition of Monteverdi's letters which span the years 1601-43 and give an unrivalled picture of the composer's life in Mantua, Venice and Parma, his thoughts on the aesthetics of opera, his colleagues, and his own works. Extensive commentaries introduce each letter.
Monteverdi
Monteverdi was born at Cremona in 1567 and died in Venice in 1643. The innovative nature of much of his music has generated considerable artistic and literary comment from the year 1600 onward. In this critical study, the author provides a practically oriented and concise book for both the musician and the researcher. He has avoided the tyranny of a chronological ordering of the compositions by considering them in the broad categories of sacred, secular, and occasional music, and has included fifty musical examples by way of illustration. The first category, dealing with secular vocal music, begins with the pieces written for Guarini's Il pastor fido. There is a special discussion of dialogues, followed by a survey of madrigals with and without continuo. Then come the canzonette, trios, duets, and solos. The section on religious music discusses settings of the Mass and Vespers.
Monteverdi's Musical Theatre
Author: Lecturer in Music Royal Holloway and Bedford New College Tim Carter
language: en
Publisher: Yale University Press
Release Date: 2002-01-01
Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His Orfeo, Il Ritorno d'Ulisse in Patria, and L'incoronazione di Poppea are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This is a survey of Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions, and lost works.