Plague Black
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The Black Death, 1346-1353
"Benedictow's findings relating to the mortality caused by the Black Death are based on the study and synthesis of all available demographic studies. Published over the past forty years, most of them in widely dispersed local journals and local histories, this cumulative evidence, astounding in its implications, has gone largely unnoticed. This book makes it indisputably clear that the true mortality rate was far higher than has been previously thought."--BOOK JACKET.
The Black Death
Author: Don Nardo
language: en
Publisher: Greenhaven Publishing LLC
Release Date: 2011-02-10
The worst pandemic in recorded history, it is estimated that the Black Death infected two in three Europeans, resulting in the deaths of around 25 million, or a third of the population of the continent. Author Don Nardo explores the complex moral, economic, and scientific implications of the Black Death. Chapters facilitate critical conversations from diverse perspectives to provide a broad understanding of the plague, including the origin of the disease, the hysteria and panic that consumed entire populations, the effects to the economy and culture of the areas affected, and recurrences of plague in later ages.
In the Wake of the Plague
Author: Norman F. Cantor
language: en
Publisher: Simon and Schuster
Release Date: 2014-10-14
Much of what we know about the greatest medical disaster ever, the Black Plague of the fourteenth century, is wrong. The details of the Plague etched in the minds of terrified schoolchildren -- the hideous black welts, the high fever, and the final, awful end by respiratory failure -- are more or less accurate. But what the Plague really was, and how it made history, remain shrouded in a haze of myths. Norman Cantor, the premier historian of the Middle Ages, draws together the most recent scientific discoveries and groundbreaking historical research to pierce the mist and tell the story of the Black Death afresh, as a gripping, intimate narrative. In the Wake of the Plague presents a microcosmic view of the Plague in England (and on the continent), telling the stories of the men and women of the fourteenth century, from peasant to priest, and from merchant to king. Cantor introduces a fascinating cast of characters. We meet, among others, fifteen-year-old Princess Joan of England, on her way to Spain to marry a Castilian prince; Thomas of Birmingham, abbot of Halesowen, responsible for his abbey as a CEO is for his business in a desperate time; and the once-prominent landowner John le Strange, who sees the Black Death tear away his family's lands and then its very name as it washes, unchecked, over Europe in wave after wave. Cantor argues that despite the devastation that made the Plague so terrifying, the disease that killed more than 40 percent of Europe's population had some beneficial results. The often literal demise of the old order meant that new, more scientific thinking increasingly prevailed where church dogma had once reigned supreme. In effect, the Black Death heralded an intellectual revolution. There was also an explosion of art: tapestries became popular as window protection against the supposedly airborne virus, and a great number of painters responded to the Plague. Finally, the Black Death marked an economic sea change: the onset of what Cantor refers to as turbocapitalism; the peasants who survived the Plague thrived, creating Europe's first class of independent farmers. Here are those stories and others, in a tale of triumph coming out of the darkest horror, wrapped up in a scientific mystery that persists, in part, to this day. Cantor's portrait of the Black Death's world is pro-vocative and captivating. Not since Barbara Tuchman's A Distant Mirror have medieval men and women been brought so vividly to life. The greatest popularizer of the Middle Ages has written the period's most fascinating narrative.