Propertius Elegies
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Propertius in Love
Author: Sextus Propertius
language: en
Publisher: Univ of California Press
Release Date: 2002-06-03
"Goethe, whose Roman Elegies drew on him, recognized in Propertius a romantic sensibility akin to his own. Ezra Pound's Homage to Sextus Propertius, on the other hand, read the poet as a fellow satirist and political dissident. Whatever the merits of these, and other, competing interpretations, Propertius has by now certainly come into his own, acquiring a whole new generation of readers. Indeed, in his 1997 play about the scholar-poet Housman, Tom Stoppard suggests that Propertius is one of the poets who were responsible for "the invention of love" in the West. The occasion of a lively new version by the poet David Slavitt invites a reexamination of Propertius, with particular attention to what most recommends him to us today: his sophisticated exploration of love and gender relations, his difficult--we might almost say modernist poetics, his strikingly independent politics that are concomitant with an overriding commitment to love and to literature, and, finally, his attempt later in life to reinvent himself and his art."—from the foreword by Matthew S. Santirocco, New York University "David Slavitt's bold, bawdy, expansive and sinewy version of Propertius is a sleep stealer, a book of wonders that bursts through limitations and the concept of "enough." Slavitt's continually startling Propertius in Love brings to mind Pasternak's line that "the root of beauty is audacity." Through the dialectic of eros and mortality and the marriage of poet and translator, Latin and English, we are hurtled back to the site where the invention of love is reenacted."—Mark Rudman, winner of National Book Critics Circle Award for his poetic trilogy, Rider, The Millennium Hotel, and Provoked in Venice. His latest book is The Couple.
Propertius: Elegies Book 4
Author: Propertius
language: en
Publisher: Cambridge University Press
Release Date: 2009-06-18
In this edition of Propertius Book IV, Camps follows the general lines of his earlier edition of Book I (Cambridge, 1960). He has presented, without concealing difficulties and uncertainties, a fairly conservative but readable and coherent text, together with such annotation as may help the modern reader of Latin to understand the language and follow the thought of this difficult, much disputed, but very rewarding poet. While the book may be of interest to students and amateurs of Latin in general, the editor has had in mind the particular needs of undergraduates and of sixth forms. The notes are weighted differently from those in Butler and Barber's edition of 1933 and the text of that edition and from the Oxford text of 1960. As far as we know, this is the poet's last work. He has moved away from his earlier preoccupation with the theme of love and the eleven careful elegies that compose the present book are on a variety of subjects. Most are concerned with Roman antiquities. The last is an elaborate and celebrated epitaph on a lady of Roman nobility. But perhaps the poems likely to appeal most to a modern reader are the two in which Propertius recalls and exhibits in a new light, the figure of Cynthia, the declared inspiration of the elegies of Book I.
