Youtube Video
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How to Do Everything with YouTube
Author: Chad Fahs
language: en
Publisher: McGraw Hill Professional
Release Date: 2007-12-31
Create, post, and promote your own videos on the world's most popular online service! How to Do Everything with YouTube explains how to shoot and edit videos, insert titles and captions, add special effects, and upload content. You'll learn how to set up a YouTube channel and integrate YouTube videos into your websites and blogs. You'll also discover the success secrets behind YouTube celebrities and breakout videos. Share your unique video creations with millions of viewers with help from this easy-to-follow guide. Navigate the YouTube interface, play videos, and set up an account Shoot professional-quality videos with a camcorder, Web cam, or camera phone Get the lighting right and add sound and special effects Create a short film, vlog, or video mashup Edit your videos with Windows Movie Maker, iMovie, and Remixer Add audio tracks with AudioSwap Optimize your videos and upload them to YouTube Join the YouTube community, create playlists, subscribe to channels, and participate in groups Customize your YouTube channel Promote your videos to a huge audience
YouTube
YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how YouTube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how YouTube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural ‘production’ and ‘consumption’. Rich with both concrete examples and featuring specially commissioned chapters by Henry Jenkins and John Hartley, the book is essential reading for anyone interested in the contemporary and future implications of online media. It will be particularly valuable for students and scholars in media, communication and cultural studies.
